selfhealing ~ women's sweatlodge ~ moonlodge ~ 'moontime-lodge'
W o m e n
still - the "moontime lodge" request our attention....
selfhealing ~ women's sweatlodge ~ moonlodge ~ 'moontime-lodge'
click on below 'topics' .... or scroll down (Opera/Firefox.. still !)
Actually a good amount of information about women's 'first Medicine' - the moontime (the menstruation) is available, but even majority of information often cause irritation, yet grievances sometimes, when the moontime is correlated with sacred acting of the northamerican Natives. Moontime and Ceremony Wastay
....And, while I can hear the others who make a case for having "moon women" at the lodge, in the lodge, you have asked
my opinion and I mean noone dishonor or disrespect with my answer ... however .... .... Women on their moon are very strong...
this does not necessarily mean strong in a good |
| drumming
# 1
|
| What Is Drumming? Put your hand to your heart. Do you feel the "thump-thump"? That is your heart beat. Mother Earth also has a heartbeat and it sounds from a drum. Native American drumming is some of the highest energy a spiritual person can be around. The softness or intensity is based entirely upon the channeled energy of the drummers. To be a drummer is to "be on the drum". And it is a great honor. Most drums are made up of men, although the all female drum of Cathedral Lake Singers (my personal favorite) is making strides. When wanting to re-connect with total earth energy, pow-wow drumming is some of the best. The drums are smudged and blessed. One person out of the drum group is designated to be the carrier of the drum. This responsibility is great as the person must be of the highest morals and carry himself with great honor. There can be no less than four drum members for the drum to be used, it is more than an instrument, it is a healing tool and it's power is very strong and needs the perfect balance of 4 to distribute it's energy correctly. The various drum groups I have spoken with have all had various opinions on the best bark used to be carved out to give itself for the drum. But, all agree that a special ceremony is used when the tree is taken, thanks for it's sacrifice is given. Next a nice elk hide is (according to the ongoing debate) used for the head of the drum. After much ceremony, a drum is born! Many times drums are passed down in families as a scared object. Please take time and visit a pow-wow close to you. There are many great sites that will direct you to the nearest one. Start at this one The Spike and work your way around.
top of page ...or continue
|
| drumming2
|
| WOMEN PLAYING THE BIG DRUM ( by: Thunderbird ) In the twenty-first century, as Indigenous cultures continue to adapt, evolve and move forward, and given the fact that women are taking back the drum which is their right to do because of the lack of leadership shown by Native men, it is becoming more common to see women big drum groups at powwows. This is a slow evolution because of the fierce patrilineal protection of turf (unfortunately this Euro-centric attitude has been learned well by some Native Men). There has been much animosity and outright refusal to allow women drum groups to participate at certain powwows and other events. This whole "which gender is allowed to play the big drum" is sexist and borne out of Christian dogma of recent history. There is no such thing as irrefutable proof that women cannot sit at a big drum. If women think they are "offending" men by playing the big drum, Thunderbird suggests that those men who are offended are hanging onto territory which they do not own and, therefore, have no right to claim ownership, for the simple reason that the drum (no matter the size) is a universal symbol of healing, harmony, dignity, honour and wisdom. It is also female, so it seems odd that women are denied what is rightfully theirs. Moreover, as noted below, if we are all given a heartbeat, why is it that women must shut theirs down????? Wherein, it is true that women, a long time ago, gave the big drum to men so they could feel the resonant connection to the Earth Mother that women, naturally feel, the gift did come with some strings attached. That is, men were to respect women, and women's leadership role in the community; they were never to raise their voices or hands against women or children, they were to protect the "giver of life" at all costs. Alas as recent history shows, this continues not to be the case and men have no longer earned the right to ownership of the drum. The prophecy which states, "when the maple trees start dying from the top, women will take back the drum" is starting to happen. Men have not fulfilled their responsibilities and promises; women must now re-assert themselves in order to save themselves, their children and the Earth Mother. Ms Thunderbird says, "Get with it, times have changed, women's voices must be heard by whatever means if Mother Earth has any chance of survival." top of page ...or continue |
| drumming3
|
| THE DRUM IS FEMALE AND HUMAN ( by: Thunderbird ) The drum represents the universal heartbeat of Noo Halidzoks (Mother Earth) - the universal mother to us all. The first sound that was heard in the world was her heartbeat. The first sound a baby hears in the womb in the heartbeat of the Mother. The heartbeat is manifested through playing a special rhythm on the drum. This rhythm facilitates healing and realignment of the four realms of human existence (Mental, Spiritual, Emotional, Physical) because the Creator revolves around the rhythm. The drum when combined with the voice, creates a hum that rests between the voice and the drum and is thought to be the spirits of the Ancestors. Therefore, Native hand drums are not percussion instruments per se or a toy, they are considered female and human because of their direct tie to the earth. Her heartbeat on the drum can be done in a variety of ways, here are two suggestions: Tsimshian: Four steady beats, followed for two quick beats - one, two three, four, one/two, two three four, one/two, two, three, four.....) Anishinabe - two rhythmic beats - one/two - one/two - one/two..... When playing a drum, it should never be hammered in an aggressive way, this suggests giving it a 'beating' and one must never 'hit' a woman! The teaching goes even further by stating that the drum mallet should not be referred to as a 'beater' because of the suggestion of aggression contained in the word. Ms Thunderbird refers to all her drum mallets 'Clayton', after one of her favourite Elder Friends, Seneca Elder, Clayton Logan. The Big Drum was a gift from the women to the men a very long time ago, so that men could experience a resonant connection to the Earth Mother that naturally occurs with women. Therefore, it has been tribal custom for the most part, that women not sit at the big drum or play it. Whoever wrote this rule was obviously a very threatened man, for there is no basis in history for such action. As Native history has evolved, this practice is changing, and there are more and more instances where women are taking back the big drum, and raising their voices in joy. Also, this in some part has been borne out of the fact that many families who have only girl children, must continue to pass down important teachings. top of page ...or continue |
| A
call to spirit
A call to gather as women of power A call to hear Grandmother Earth's wisdom |
|
|
1 -
2 - 3| gift
# 1
|
|
SONG OF THE EARTHDREAM top of page ...or continue
|
| gift
# 2
|
|
There's
a very strong gift
top of page ...or continue
|
|
gift # 3
|
|
The Patchwork Quilt of Life
|
©2006-2008 by: healing-circle.com